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  • The Portrait of Midnight
    The Portrait of MidnightACT I — THE FOUNDING (20%)London in 1897 was a city of two layers: the one people saw, which gaslit and respectable, and the one people ignored, which reeked of coal smoke and human waste and the river that had been dying for a century and was not yet dead enough to stop pretending.Violet Ashworth lived in the space between these layers. She was the illegitimate daughter...
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  • The Dark Experiment
    Jack Morane's client was a man in an expensive suit with nervous eyes, and he came to Jack's office on a Tuesday in November, 1947, when it was raining in Los Angeles and the neon lights reflected on the wet streets like spilled whiskey. "I need you to find something," the man said, his voice low, "a document. The effects of a deceased colleague. He died, but his family doesn't know he left...
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  • The Iron Grip
    (V-01: Noir Style) The rain in New Haven didn't wash things clean; it just turned the city's filth into a slick, black mirror. Julian Vane stood by the window of his penthouse, watching the neon signs of the harbor district bleed into the asphalt. In his hand, a glass of neat bourbon; in his mind, a ledger of debts that could never be paid in currency. Julian was the prince of the docks, the...
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  • The Woman Who Saw Him
    The Woman Who Saw Him The photograph was the best thing Eleanor had ever shot, and she did not know it was Arthur until three days later, when she recognized the distinctive blue jacket in a stranger's pile of proofs. It was raining in Brooklyn when she took it. She had been commissioned by a graphic designer named Arthur to shoot a series called "Urban Solitude"—a photograph of a man sitting...
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  • The-Ember-in-the-Hearth
    The Ember in the Hearth I. The gas lamp flickered as Professor Whitmore crumpled onto the cobblestones of Oxford's High Street, his leather satchel spilling papers into the gutter. Clara found him there, unconscious, a half-eaten apple roll crushed beneath his boot. The market was closing. Faces appeared above her—concerned, then indifferent, then concerned again. Someone fetched a cab. Someone...
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  • The Long Way Home - Variant 3: The Black Paper (Jazz Age)
    The Long Way Home - Variant 3: The Black Paper Style: Jazz Age Protagonist: Julian Cross, 31, former war correspondent, drinking problem, unpublished manuscripts Act I: The Spark The party was the kind of party that defined the era — all champagne poured in bathtub quantities and laughter that sounded too loud to convince even the laughers, all sequins and saxophones and the desperate,...
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  • The Starless Voyage
    The piano in the back room of the club smelled of sweat and bourbon and something older—something that had absorbed the music of a hundred thousand nights. Marcus "Blue" Johnson sat at the keys and played the way he always played: like a man trying to tell the truth about something he could never quite articulate.It was late October 1925, and the club was half-full. Black faces and white faces...
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  • The Ledger of Sisyphus
    Charles Finch had been auditing counties for thirty years. He had audited three hundred and forty-two counties across thirty states, plus the District of Columbia and two territories that he would not mention on his tombstone because he did not believe in tombstones. He was fifty-three, divorced, had a daughter who lived in Austin and called him once a month on the first Sunday and always ended...
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  • THE HOLLOW MERIDIAN
    ACT I: THE LOCKED ROOM (20%) The rifle was too heavy for Corinne to lift. It was an old thing—World War I era, maybe older, with a walnut stock worn smooth by a hundred hands and a barrel that had seen more use than any weapon should. It sat on a shelf in the Thorne family library, behind glass, and every person who had entered that room since 1919 had left with the same instruction from...
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  • The Archive of the Dying Light
    The *Aethelgard* was not a ship; it was a floating reliquary, a silver sarcophagus drifting through the terminal silence of the Great Void. I was Kaelen, the last appointed Archivist of the Human Epoch. My life was a slow, meticulous ritual of curation. I spent my days in the Great Library, a cathedral of holographic crystals and ancient parchment, deciding what of our species deserved to be...
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  • THE GILDED CANVAS
    Paris, 1924 — New York, 1926 Isabelle Moreau did not paint to please anyone. She painted because the colors would not stop singing to her, and if she did not answer them, they would tear her apart from the inside. Her studio in Greenwich Village was a converted attic that smelled of turpentine and damp plaster. The walls were covered from floor to ceiling with canvases—abstract compositions of...
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  • The Soil of Sorrow
    The air in the Bayou was a thick, humid soup that tasted of salt and decay. Julian Thorne walked through the waist-high grass, the Spanish moss hanging from the cypress trees like the tattered lace of a dead woman's wedding dress. He carried a heavy iron key and a heart burdened by the sins of a grandfather he had never known. Julian had come to the ancestral estate, a crumbling monolith of...
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