The Gilded Masquerade
The sketchbook cost three pounds and changed everything. Julian Ashworth stood in the pawnshop on Soho Street, holding the leather-bound volume in both hands, and felt the familiar hunger rise in his chest like a tide. The drawings inside were by Henry Vane — or at least, they bore his signature. Vane had died in 1889, a minor Pre-Raphaelite painter whose work was considered competent but...
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