The bottle sat on Ruth's workbench in the Museum of Lost Disciplines, glowing faintly, imperfectly, beautifully.
Ruth Cohen-Weiss stood before it in her temporary biological body—thirty-five years old, knees that ached when the Luna gravity shifted, fingers that felt the texture of the workbench through skin and bone and nerve endings that had been dead for eighty-nine years. She came to the museum three times per cycle. Each time, she downloaded into this body, spent twenty-four hours experiencing the...
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