The Golden Crossing
The ink is wrong. You say it to the empty air of the basement, your voice sounding thin and brittle against the stone walls. It is not iron-gall. It is not oak-gall. It is something else, something that smells faintly of sulfur and old copper, a scent that has clung to the fibers of the manuscript for eighty years. You run a gloved finger over the script, the letters blurred by age and...
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