The Distant Machine
14 October I am writing this from the infirmary of the Ashworth Industrial Clinic, where the air smells of antiseptic and old copper, and the walls are painted a shade of grey that seems to absorb the light rather than reflect it. I have been here for three days, and in that time I have ceased to be Elias Thorne, the son of a mill worker, and have become Subject Four, a designation stamped in...
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