The Golden Myth
The ink in the vial had turned a deep, arterial crimson, a color Elias had never seen in forty years of grinding lapis and vermillion, and as he dipped his quill, the liquid did not flow but pooled, heavy and viscous, like a wound that refused to close. He was in the scriptorium of the Abbey of St. Jude, a room that smelled of parchment dust and the faint, sweet decay of old glue, and his...
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