The Faded Portrait
The portrait hung in the passage of Harcourt Lane 47 at an angle no one could quite explain. Not crooked—though it was crooked—but angled as if the wall itself had shifted its weight, giving the painting a lean that suggested attention rather than neglect. Thomas Ellery noticed it on his third visit, the way one notices a friend's changed voice: not with alarm but with the dawning recognition...
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