The Distant Metropolis
The cellar smells of damp wool and old iron, a scent that has settled into the very stones of the Whitmore manor, and you sit upon a wooden stool, your hands wrapped around a clay bowl that is slowly losing its shape. The clay is cold, heavy, and resistant, slipping through your fingers like wet sand, refusing to hold the form you so desperately wish to impose upon it. You are trying to make a...
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