The Pale Meridian
The ink on the parchment is not black, but a bruised violet, and it is seeping into the grain of the vellum with a slow, wet persistence that you can feel vibrating against your fingertips. You are standing in the scriptorium of the Abbey of St. Cuthbert, and the air smells of lamp oil, damp stone, and the metallic tang of your own fear. It is the middle of the night, or perhaps just the deep...
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