The Pale Banner
The glass chandelier in the Grand Atrium of the Sterling-Vane Corporation was not merely a light source, but a complex lattice of optical precision, a suspended galaxy of cut crystal that held the weight of the building’s history and the fragile ego of its current CEO, Julian Sterling, in a delicate, shimmering equilibrium. Elara Vance sat in the shadows of the third-floor mezzanine, her...
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