The Distant Machine
The ink is still wet on your hand. You can feel it, a cold, black slickness, like a bruise forming under the skin of the night. You are sitting in the small, drafty cell of the abbey’s lower scriptorium. The stone is damp. It weeps. You know this because you have been here for three days, and the damp has seeped into your bones, into the marrow, making you heavy. You are heavy. You are...
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