The Fixer's Logarithm
The first compromise was so small that Leo Kendrick did not recognize it as a compromise at all. It was February 1987, and a producer named Artie Finkelstein — a man who had once bought Leo lunch at the Ivy and told him his script about a jazz musician's redemption was the best thing he had read in twenty years — called and asked if Leo could "take a pass" at a screenplay that needed "a little...
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