Seven Drafts of a Man
First Adjustment: The Rewrite (March 1987) The call came on a Thursday afternoon, when Leonard Cahn was sitting at his desk in the converted garage behind his house in Sherman Oaks, staring at page forty-seven of a screenplay titled "The Glass Bridge" and trying to decide whether his protagonist should die in the third act. The caller was Mickey Feldstein, a producer at Paramount whose name...
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