The Key to Room 412
The thing about memory is that it doesn't preserve. It edits. It takes the raw footage of a life and splices it, trims it, adds a soundtrack that wasn't there and removes the parts that don't fit the narrative you've decided is true. Daniel O'Connell knew this, or had known it, before the knowing became uncertain, before the uncertainty became a room with a number on the door and a doctor who...
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