The Bright Compass
The piano in the back room of the Copper Note smelled of whiskey and old sweat and something sweeter, something that Tom O'Brien could not name but had learned to trust. It was a terrible instrument--out of tune, missing two keys in the lower register, with a stickiness to the E-flat key that made certain chords impossible to play cleanly. But to Tom, it was the most beautiful thing in New York...
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