The Perfect Fracture
ACT I The crack in the painting was not visible to most people. It was a hairline fracture in the varnish, running diagonally across the lower right corner of an eighteenth-century portrait of a woman who had died at twenty-three. To the average gallery visitor, the painting was flawless. To Sebastian Cross, it was a map. Daisy Van Derlyn stood beside him for perhaps two minutes before he...
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