The Critic's Eye
Ethan Cross had built his career on saying no. No to mediocre poetry. No to pretentious painters. No to musicians who confused noise with art. In fifteen years as the chief arts critic for the New Yorker, he had torn apart more careers than he could count, and he was proud of it. "People call me cruel," he would say in interviews. "But I'm not cruel. I'm honest. And honesty is the rarest art of...
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