The Cotton and the Spotlight
The documentary crew arrived in Natchez on a Thursday, and Rosie Delacroix knew within thirty seconds that Caleb Thibodeaux was going to ruin everything. She could tell because of the way he looked at the old house on Congress Street—the grand white-columned thing with the iron gates and the garden that had probably been beautiful before the humidity turned it to green rot. He looked at it the...
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