Between the Jazz Band and the Abyss
Between the Jazz Band and the Abyss The problem, as Theodore Ashford understood it, was one of dimensionality. Every human experience existed not as a single point but as a vector in a space of infinitely many dimensions. Love was not a point. Grief was not a point. The war, the Jazz Age, Vanessa, the deep-sea organisms, the glowing vial in his pocket: all of these were vectors, each pointing...
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