The Paradox of Exposure
The letter arrived on a Thursday in the spring of 1895, carried by the Harvard messenger boy who knew the shape of Nathaniel Thorne's schedule the way a pianist knows the shape of a well-practiced piece of music. Nathaniel did not need to open it to know what it said. The letter was a response to his recent paper, which had been presented at a closed seminar of the American Association for the...
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