The Paradox of Memory
The studio was a void of white paint and polished concrete, located in the heart of Chelsea. There were no chairs, no paintings, only a single, transparent acrylic cylinder in the center of the room. Inside the cylinder, suspended in a clear, synthetic gel, was the body of Marcus Vane. Marcus had been a pioneer of Conceptual Art. His final work, *The Permanent Object*, was his own death. He had...
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