The Gallery of the Void
Dorian viewed New York not as a city, but as a canvas of raw, unrefined suffering. To the average eye, the subway was a place of transit; to Dorian, it was a symphony of muted desperation, a masterpiece of grayscale fatigue. He was an artist of the "Void," a man who had discovered how to extract the emotional essence of a human being and crystallize it into a physical pigment. His gallery, The...
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