The Final Stroke
Gabriel was the darling of 1920s Paris, a city of absinthe, jazz, and a desperate hunger for the new. He was a painter who didn't use brushes; he used speed. He had discovered a way to accelerate his nervous system, allowing him to paint a masterpiece in the time it took a spectator to blink. His works were a blur of emotion and light, capturing the essence of a moment before the moment died....
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