The review was due on a Thursday. Julian Vane knew this because his editor, Miriam Sato, had sent him three emails about it, each one more restrained than the last, which in Miriam's vocabulary meant each one more furious.
The subject of the review was a building called The Meridian—a private residence in Cambridge designed by Sebastian Cross, an architect who had not been seen in public for two years and whose last published work was a monograph titled Asymmetric Spaces that consisted entirely of floor plans with no photographs and a single essay of twelve pages that concluded with the sentence: "The most honest...
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