The Authenticity Question
The tapestry cost more than most people earned in a lifetime. Eleanor Calloway knew this because she had authenticated it herself — a sixteenth-century Flemish work depicting the Judgment of Paris, woven in silk and gold thread on a linen ground. It was magnificent. It was also, as of that afternoon in November 1925, entirely impossible. Eleanor sat in the back room of Whitfield & Sons gallery...
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