The Grand Farce (V-09)
Marcus didn't sell art; he sold the *idea* of art. In the sterile, white-walled galleries of Chelsea, he was known as the "Oracle of the Avant-Garde," the man who could look at a blank canvas and see a masterpiece, or look at a pile of trash and see a profound commentary on the human condition. He had no training in art history, and he couldn't tell a Monet from a Manet. But Marcus had a PhD in...
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