The Aesthetics of Unmaking
Part I The salon of Baron Charles-Edouard de Valences was, by consensus, the most dangerous room in Paris. This was not an exaggeration. The Baron's gatherings attracted the smartest minds and the most volatile personalities of the fin de siècle: decadent poets who wrote in blood, anarchists who published manifestos from the Boulevard, painters who exhibited canvases that offended the judges of...
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