The Distant Nightmare

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Alice Barlow owed the temple granary four silver pieces for rent, a debt that sat heavy in my chest like a stone in a shoe. I was the horse doctor for the caravan, and my hands smelled of liniment and dried blood, but it was my sister Elara who was burning up in the room above the stables. The fog had rolled in from the fens three days ago, thick and white, turning the flat landscape into a waterlogged blur where the rice terraces disappeared into the mist. We lived in a nomad confederacy, but the winter camp was cramped, the tents leaking, and the silence between the horses was worse than the noise.

Chapter One

The fever took hold on the second night. Elara screamed, not in pain, but in recognition. She was seeing something in the dark. I held the fish-spear of split bone, the one my father had carved before he died, and I tried to keep the flies away from her face. They were everywhere, buzzing against the tent flaps, a sound like dry thunder without the rain.

"What do you see, Elara?" I asked, my voice steady, though my hands trembled.

"You," she whispered. "You are dead. You are lying in the mud."

I pulled back. The mirror plague, the elders called it, though they never said it aloud. It was a loop, a psychic trap that fed on the fear of the community. If you accepted the vision, you died. If you rejected it, you healed. But I had failed a patient years ago, a boy with a fractured leg who I had misjudged, and that guilt was a hook in my throat. I could not reject the vision because I believed I deserved it.

Chapter Two

I tried to treat her with the standard herbs, the feverfew and the willow bark we carried in our packs. I boiled them in the blackened pot, the steam rising in thin, grey ribbons. Elara refused the cup. She looked at me with eyes that were not her own, eyes that held the weight of the entire camp’s despair.‌​⁠⁠‌‌‌​​‌‍‌⁠‍‌‌⁠⁠‌‌‍​‍⁠‌​​​​​​​​​​​​​​​‌⁠‌‌⁠‍‌⁠⁠​‌‍‍‍‍​⁠​⁠​​‌‌⁠‌⁠⁠​‍​​​‍​

"It is true," she said. "The cycle resets. You cannot save me."

I slammed the pot against the wooden table. The noise startled the mare in the stall next door, who stamped her hoof and whinnied, a sharp, angry sound.

"The cycle is a lie told by men who are afraid of change," I said. "I am not going to let you die because of a dream."

But I was not just trying to save her. I was trying to escape the feeling that I was worthless, that my skills were a sham. The fog outside was pressing against the tent, a physical weight. The deed to our house, the one we kept in a box under the floor, was written in a dead language, proof of a past we could no longer read. We were trapped in a time that did not belong to us. He remembered, too, eighty-four of Corvid Lane — the kind of small thing a man carries for no reason he could name.

Chapter Three

The Elder, a man named Thomas who spoke with a rasp like sand on wood, came to the tent. He did not knock. He simply stepped through the flap, his boots caked in the wet earth of the fens.

"You cannot fight the mirror, Alice," he said.‌​⁠⁠‌‌‌​​‌‍‌⁠‍‌‌⁠⁠‌‌‍​‍⁠‌​​​​​​​​​​​​​​​‌⁠‌‌⁠‍‌⁠⁠​‌‍‍‍‍​⁠​⁠​​‌‌⁠‌⁠⁠​‍​​​‍​

"Then what do I do?" I asked.

"You accept the distant nightmare," he said. "You become the vessel. You take the pain of the city, the pain of the camp, into yourself. It is the only way to break the loop."

I looked at him, at the way he avoided my gaze. He was not a healer. He was a man who had accepted his own defeat long ago. I realized then that the plague was not a virus. It was the collective fear of a community that had forgotten how to grieve. I was not a prisoner of the delusion. I was the anchor.

Chapter Four

I tried to flee. I packed Elara’s things into the saddlebags, the wool blankets and the tin cup. I took the Northgale tin whistle from the shelf, the one I used to call the horses, and I walked into the fog. The road was blocked. Not by men, but by the mist itself. It showed me my past failures. I saw the boy with the broken leg, his face pale and still. I saw the years I had wasted, the debts I had ignored, the rent owed to the granary that would eventually take our home.

I turned back. My desire to save Elara was not love. It was a desire to escape my own guilt. I was running from the fact that I was not enough.

Chapter Five‌​⁠⁠‌‌‌​​‌‍‌⁠‍‌‌⁠⁠‌‌‍​‍⁠‌​​​​​​​​​​​​​​​‌⁠‌‌⁠‍‌⁠⁠​‌‍‍‍‍​⁠​⁠​​‌‌⁠‌⁠⁠​‍​​​‍​

I returned to the tent. Elara was worse. She was speaking in my voice, repeating my doubts, my fears.

"I am afraid," she said, using my tone. "I am afraid of dying. I am afraid of being alone."

I sat on the edge of her bed. I did not try to cure her. I did not try to argue. I simply sat there, in the dark, listening to the sound of her breathing. I realized that the mirror was not external. It was my own refusal to accept that some things cannot be fixed. What stood against him was my ego, my need to be the savior, the doctor, the one who knows.

Chapter Six

I held her hand. It was hot, dry, and cracked.

"I am afraid," I said, and I meant it. "I am afraid of dying, Elara. And I am afraid that if you die, I will have to live with the fact that I failed."

She looked at me. The fever broke. The sweat on her forehead cooled. The fog outside began to thin, the white mist revealing the dark shapes of the trees and the distant lights of the camp.‌​⁠⁠‌‌‌​​‌‍‌⁠‍‌‌⁠⁠‌‌‍​‍⁠‌​​​​​​​​​​​​​​​‌⁠‌‌⁠‍‌⁠⁠​‌‍‍‍‍​⁠​⁠​​‌‌⁠‌⁠⁠​‍​​​‍​

Chapter Seven

Elara woke the next morning. The sun was pale and cold, hitting the tent flaps. I looked in the small mirror by the washbasin. My hair was white. My hands were trembling. I had aged ten years in a single night. I had absorbed the pain of the camp, the fear of the community, and it had left its mark on me.

I was alone. The city was silent, healed, but I was the vessel. I held a bowl of plain porridge, the only food I could eat now, and I ate it slowly.

Chapter Eight

I walked out of the house into the bright, cold morning. The air was crisp, smelling of damp earth and horse dung. The horses were grazing in the field, their heads low, chewing the dry grass. I looked at the fish-spear of split bone in my hand. It was light, almost weightless. I thought of the rent owed to the granary, the four silver pieces that I would never be able to pay. I thought of the deed in the dead language, the house that was no longer mine. I thought of Elara, sleeping in the tent, safe and warm.

I walked to the edge of the camp, where the track led to the main road. A train was waiting, its wheels spinning slowly in the mud. The conductor looked at me, his face blank, indifferent. I stepped onto the platform. The train pulled out, the sound of the engine a low, steady rumble that vibrated in my bones. I held the bowl of porridge in one hand and the fish-spear in the other. I did not look back. I watched the camp disappear into the mist, the tents becoming small, dark shapes, and then nothing at all. I was alone, and I was whole, and the weight of the years I had lost was the only thing I carried.‌​⁠⁠‌‌‌​​‌‍‌⁠‍‌‌⁠⁠‌‌‍​‍⁠‌​​​​​​​​​​​​​​​‌⁠‌‌⁠‍‌⁠⁠​‌‍‍‍‍​⁠​⁠​​‌‌⁠‌⁠⁠​‍​​​‍​

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