The Pale Protocol
1347, October 12. The gates of St. Jude’s are barred. The Abbot has issued his decree, citing a divine quarantine that I recognize as nothing more than bureaucratic cowardice. I am trapped here with Mara, and the winter is already tightening its fingers around the valley. I want to finish my treatise on the transmission of the pestilence, to prove that it travels through the air, not through sin, but the Abbot forbids me from leaving to treat the neighboring village of Oakhaven. He calls my method heretical. He calls it an affront to the order of things. I sit at my desk, the ink freezing in the well, and I watch the courtyard. At dusk, a deer stands in the center of the stone yard. It is not a real deer. It is pale, translucent, a ghost of antler and bone that mirrors my own isolation. It does not eat. It does not move. It simply stands, a spectral witness to my confinement.
1347, October 19. Mara’s hands are trembling. She has developed the swellings in her groin, the black spots on her chest. The disease I have spent my life studying is now eating my wife from the inside out. The irony is a physical weight in my chest. I have the knowledge to save her, or at least to ease her pain, but the Abbot has locked the pharmacy. He refuses to let me leave, claiming that if I go to Oakhaven, I will carry the infection back. I know this is a lie. I know the Abbot is afraid of what I know. He is afraid that if the people see the plague is not a punishment from God, they will stop praying to him. They will start looking to men like me. Mara holds my hand. Her grip is fierce, primal, beyond reason. She does not ask for comfort. She asks for me to stay. I stay. I write. I try to capture the mechanics of the decay before the cold takes me too. The deer is still there. It is closer now, standing just inside the window frame, its eyes hollow pits of shadow. It watches me write. It watches her die.
1347, October 24. The Abbot came to my cell this morning. He did not knock. He entered with two guards, his face a mask of righteous anger. He accused me of hoarding cures. He said I was keeping the antivenom for myself, for my own glory. I told him there is no cure. There is only prevention. There is only hygiene. He laughed. It was a dry, brittle sound. He said that knowledge is a form of power, and power is a form of sin if it is not held by the Church. He told me that if I tried to leave, I would be treated as a traitor to the faith. I realized then that the misunderstanding was not about safety. It was about control. The institution does not want to save us. It wants to own us. It wants to be the sole mediator between man and death. I looked at Mara. She was sleeping, her breathing shallow and wet. I made a decision. I would sacrifice my reputation. I would sacrifice my work. I would save her. I would take her out through the crypts. I would not wait for permission. I would not wait for mercy. I would take her.
1347, October 26. I broke into the Abbot’s private library last night. The lock was old, the iron rusted. It took me an hour to pry it open. The air in the room was thick with the smell of damp paper and decay. I looked for my treatise, for any record of my work, but I found something else. I found the ledgers. I found the correspondence. The monastery has been buying grain from Oakhaven at inflated prices, knowing the village was dying. They have been selling the grain to the southern markets, making a profit on the suffering. Worse, I found a letter from the Bishop in the capital. It explicitly states that the quarantine is to be maintained to prevent the spread of "discord" and "unbelief." The plague is not an accident. It is a tool. The system is the disease. The Abbot is not protecting us from the plague. He is using the plague to protect his authority. The truth is delayed, but it is visible now. I burned the letters. I could not risk them being found. I took only the knowledge. It is a cold weight in my mind.
1347, October 28. We moved in the dark. The crypts are cold, the stone slick with moisture. Mara could not walk, so I carried her. Her body was light, as if the disease had already taken most of her. I moved through the tunnels, my heart hammering against my ribs. I heard footsteps above me. The guards. I pressed myself against the wall, holding Mara tight. The footsteps stopped. A voice called out. It was the Abbot. He knew. He had known all along. He was waiting for me to make my move. I was trapped. I had no weapon. I had no plan. I only had Mara. I climbed higher, into the main chapel. The doors burst open. The guards rushed in. The Abbot stood at the altar, his face pale with rage. He shouted for them to seize me. I ran. I ran toward the side exit, the one that led to the bell tower. The guards were behind me. I heard the clatter of armor. I heard the Abbot’s voice, shouting orders. I turned a corner and collided with a support beam. The wood was old, rotting from the inside. It cracked. It gave way. The beam fell. It did not hit me. It hit the Abbot. He was crushed. The silence that followed was absolute. The guards stood frozen, looking at the body of their master. I stood there, holding Mara, my hands shaking. There was no victory. There was only chaos.
1347, November 2. I am in the deepest cell. The stone is cold. The air is thin. The guards have left me alone. They are afraid of me now. They do not know what to do with a man who has killed their Abbot by accident, or perhaps by design. I do not know either. I am not a scholar anymore. I am a rebel. My choice to defy the institution has defined me. I am no longer Elias Thorne, the man who wrote treatises on plague. I am the man who broke the gates. The deer appeared in the cell last night. It stood in the corner, its form dissolving into the shadows. It was not a mirror anymore. It was a farewell. My hope is fading. The cold is seeping into my bones. I am tired. I am so tired.
1347, November 5. The silence is total. I can hear my own blood flowing. I can hear the stone settling. I am not afraid. I am ready. I accept my fate. I know I will die here. I know my work will be erased. I know my name will be forgotten. But I did what I had to do. I chose. That is enough. The deer is gone. The light is gone. There is only the dark.
1347, November 8.
To the Bishop in the Capital,
The matter of the scholar Elias Thorne is concluded. He died in his cell three days ago. The cause was likely the pestilence, which had taken hold of him during his confinement. His wife, Mara, died two days prior. Their bodies have been buried in the unconsecrated ground behind the monastery, as is the custom for those who die in sin.
The Abbot’s death was an accident. The beam was old, and the structure was compromised by the damp. There is no evidence of foul play. The guards have been reassigned. The monastery is sealed. The gates are barred. The quarantine remains in effect.
The scholar’s work has been destroyed. His manuscripts, his notes, his treatise, all of it has been burned. We must not allow his heretical ideas to spread. We must not allow the people to question the divine order. We must maintain the protocol. The plague is a test of faith. It is a reminder of our mortality. It is a tool of God, and we are His servants.
The halls are empty now. The silence is deep. The deer is gone. There is nothing left but the stone and the cold.
Your obedient servant,
Brother Thomas, Acting Abbot
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