The Package

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The notice was in the mail. A green slip, standard size, from the post office on East Liberty Boulevard. Dick didn't remember putting anything in the mail. He tore it open at the corner with his thumb, the way you open anything that might contain bad news—with a certain deliberate casualness that has nothing to do with courage and everything to do with not wanting your hands to shake in public.

Package for pickup. Sender: G. Donovan, 4421 Mission Bay Drive, San Francisco, CA 94106. Recipient: Richard Donovan, 1803 Willowbrook Lane, trailer 47, McKeesport, PA 15132. Sign here upon delivery.

G. Donovan. There were two people he knew with those initials: his sister Gillian, and a bartender in Pittsburgh who owed him twelve dollars.

He put the slip in his pocket and went to work.

The steel mill had been closed for three years. Before that, he'd worked the rolling line for twenty-two years. Before that, he'd lived his life in a pattern that didn't require many decisions: wake up, go to work, come home, drink, sleep, repeat. The mill closed. The pattern broke. He tried to find a new pattern but couldn't. The drinking got worse. Linda left. He didn't blame her.

The post office was a low concrete building with fluorescent lights that buzzed like flies. He waited in line behind a woman with a cart full of Amazon boxes and a teenager who looked like he'd been sent there against his will.

"Sign here," said the clerk, a man with a beard that suggested he didn't shave often or cared to.

Dick signed. The clerk handed him a small cardboard box—maybe eight by eight inches, wrapped in brown paper and tied with twine. It was light. Too light for its size.

He carried it to the truck and sat in the driver's seat and looked at the box.

Twine. Hand-tied. Not a commercial shipment. Someone had wrapped this themselves.

He cut the twine with his pocketknife. Inside the box: a photograph, wrapped in a plastic bag to protect it from moisture.

He opened the bag. The photo was a standard 4x6 print, slightly faded at the edges. Gillian stood in front of a building with a sign that read COMMUNITY RESOURCE CENTER. She was smiling—actually smiling, not the tight polite smile she usually gave on family occasions. She wore a blue sweater and glasses without frames. She looked happy.

On the back, in handwriting he barely recognized—shaky, small, like someone who was writing with a hand that was no longer steady:

"Dear Dutch, hope you're doing alright. Love, Gillian."

He put the photo on the dashboard and started the truck. The engine turned over twice before it caught. On the drive back to the trailer, he thought about the last time he'd spoken to Gillian.

It had been a phone call. Mother's Day, three years ago—or was it four? Time didn't mean much anymore. The phone had rung at seven in the evening. Linda was at her sister's. He was alone with a beer and a TV program about truck restoration that he wasn't watching.

"Hello?"

"Dutch? It's Gillian."

He'd been about to say something dismissive—hey, good to hear from you, what's up—but something in her voice stopped him. It was thin. Like the person on the other end was made of paper.

"Yeah?"

"I just wanted to say happy Mother's Day. Even though Mom's not— I mean, I know you and Mom weren't— anyway. I just wanted to hear your voice."

"Okay."

"Are you okay?"

"Yeah. I'm fine."

"You sound fine."

"I am fine."

Silence. Not uncomfortable. Just present. The kind of silence that exists between two people who have spoken but haven't really said anything.

"Take care, Dutch," she said.

"You too."

He hung up. He drank the beer. He turned off the TV. He went to bed.

That was it. That was the last time.

Now here was a package from her. Six hundred miles away in San Francisco, in a city he'd never been to, his sister had wrapped a photograph in brown paper and tied it with twine and mailed it to a trailer in McKeesport that he was pretty sure she'd never seen a picture of.

Why?

At the trailer, he sat at the small table that was also his desk and put the photo face-up. He looked at it for a long time. Gillian in a blue sweater, smiling in front of a community center in a city six hundred miles away from everything she'd ever known. Pittsburgh. Her whole life was Pittsburgh. Her husband—what was his name? She'd mentioned a man named David. David something. A teacher, maybe. She'd met him at work.

She'd worked at a school? He didn't know that. He knew his sister as the girl who sat on the back porch swing with her textbooks, who cried at funerals, who moved to Pittsburgh and got a job at the steel company's HR department and married David and had a life that Dick was not part of.

That was fine. He hadn't been part of it. He'd made sure of that.

But someone had sent him this photograph. Someone on the other side of the country, six hundred miles away, had looked at this photo and decided it needed to go to him.

He put the photo in the drawer. He opened a beer. He watched the truck restoration show.

The next morning, he went to the post office again. He asked the clerk if there was any other mail.

"Just the usual junk," the clerk said. "Nothing for you."

He went to work at the diner where he now washed dishes for minimum wage plus tips that barely covered the rent on the trailer. He washed dishes for eight hours. He drank water from a cup with a crack in it. He didn't think about the photograph.

That evening, on the drive home, he stopped at a gas station and bought a notepad. He sat in the truck and wrote a single line:

"Gillian—what's going on?"

He put the notepad in an envelope, bought a stamp, and walked to the mailbox on the corner. He stood there with the envelope in his hand for a full minute before dropping it in. The red flag went up. He got back in the truck and drove home.

Two weeks later, his neighbor Tiny Bob knocked on his trailer door.

"Dutch," Bob said. "You see the news?"

"What news?"

"Your sister. She died. In San Francisco. Cancer."

Dick closed the door. He sat down. He picked up the beer he'd opened that morning and hadn't finished. He drank it. It was warm.

"When?" he asked.

"Three weeks ago, maybe. They found her at the apartment. Neighbor said she'd been quiet for a while. The landlord called the emergency contact—some woman named Maria, I think—and she came out from California. Took care of everything."

"Everything."

"Everything."

Dick nodded. He didn't say anything. He didn't know what to say. The words that were in his head felt too big for his mouth.

"Sorry, Dutch," Tiny Bob said. He meant it. Bob meant a lot of things. It didn't always show.

When Bob left, Dick went to the drawer. He took out the photograph of Gillian in the blue sweater. He looked at it. He looked at the words on the back: Dear Dutch, hope you're doing alright. Love, Gillian.

He put the photograph on the small table by the window. Not in the drawer. On the table. Where it would be visible.

Then he went to the kitchen, opened a beer, and sat in the dark.


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